Thursday, May 29, 2008


Of all the punk-inspired bands that came out of Boston in the early '80s, none were better than Mission of Burma.Arty without being too pretentious, capable of writing gripping songs and playing with ferocious intensity, guitarist Roger Miller, bassist Clint Conley, drummer Peter Prescott, and tape head Martin Swope galvanized the city's alternative rock scene, and despite a too-short existence, set a standard for excellence that has rarely been equalled — a standard the band upheld when they unexpectedly reunited in 2002.

Burma's music is vintage early-'80s post-punk: jittery rhythms, odd shifts in time, declamatory vocals, an aural assault similarly employed by bands such as Gang of Four, Mekons, and Pere Ubu — Burma's peers as well as their influences. Also, conspicuously present in the mix was the proto-punk of the Stooges and Velvet Underground (with just a dash of Led Zeppelin and Roxy Music), bands that inspired Burma's darker songwriting impulses and tendencies toward longish, repetitive jams capable of holes into your skull. What Burma added was a sonic texture through the use of extreme volume. Roger Miller's guitar enveloped the band in thick, distorted cascading chords, erupting into squealing solos and (intentional) squalls of feedback. With Prescott and Conley furiously bashing in support, the band's sound was extremely physical (ask anyone who saw them live) to the point of leaving the audience feeling slightly bruised, battered, but extremely happy.(-John Dougan,All Music)

Tonight we will be spinning 2 hours of Mission Of Burma and related projects including Birdsongs of the Mesozoic, Sproton Layer, No Man, Volcano Suns, Kustomized, and more.

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